zondag 11 september 2016

True Replicas: the objects

Together with Archeologist Steven Jongma of Delft Heritage, I sellected 5 objects excavated in Delft. They all date back to the 17th century, are made of porcelain and are manifactured in China, probably Jingdezhen. This kind of porcelain was made specially for the export marked, following the 'western taste'. Some are broken and restored, some are broken and just put together.

'Klapmuts': A-2-21, excavated in 1972

'Klapmuts': A-2-21, excavated in 1972

cup, DL 88 V15

cup, DL 88 V15

'Klapmuts' OLD 74-1-1, excavated in 1974

'Klapmuts' OLD 74-1-1, excavated in 1974

Bowl, V4/7, excavated in 1986

Bowl, V4/7, excavated in 1986

Bowl, V4/7, excavated in 1986

Cup with relief, OKL 3

Cup with relief, OKL 3



woensdag 7 september 2016

True Replicas: to Delft and back


In the city of Delft porcelain cups, bowls and dishes are excavated that in the 17th century where imported from China and produced in Jingdezhen. Objects that where highly valued and loved for their elegant shapes, blue and white decoration and above all for their magical material: porcelain. Objects that where used in daily lives to display, to drink and eat from.
With the Archaeologists of Delft Maaike Roozenburg has selected a series of these excavated porcelain artefacts. In cooperation with the Delft Technical University she has made 3D scans of these objects and converted them into 3D models and prints. Roozenburg brought them back to their city of origin and will combine them with the expertise in making and decorating porcelain still alive in Jingdezhen and let this serve as a basis for a new collection of porcelain. A new design collection on the intersection of history and design of east and west combining tangable and intangable heritage.

archeological objects: 17th century chinese porcelain excavated in Delft soil

3D print in nylon by Mareco Prototyping
archeological object: 17th century chinese porcelain excavated in Delft soil

Atec 3D scan


dinsdag 6 september 2016

True Replicas: International Studio Jingdezhen

David Derksen, Hans van Bentum and myself will work on our projects for Museum het Prinsenhof at the International Studio Jingdezhen, run by Ryan Mitchell. The studio is situated in Taoxichuan, a vast area of the formal 'Universal' plate factory in Jingdezhen. This formal factory is tuned into a new centre of ceramics in the city, where artists studios, gelleries and workshops are housed in beautifuly restored factory buildings. Its a privilege and a pleasure to be able to work in this setting full of energy and vision for the future build on the old ceramic tradition and to be geast at the International Studio.

International Studio Jingdezhen 





maandag 5 september 2016

True Replicas: just arived in Jingdezhen

I Just arrived in Jingdezhen, the world capital of porcelain. The city in South China where lays the origin of this magical material, that became so wanted all over the world. I am invited by Museum Prinsenhof in Delft to develop work for the exhibition at this museum about Prcelain from the emperial kilns. I wil work on this project together with artist and sculptor Hans van Bentem and designer David Derksen. The first impression of the city is overwelming: porcelain is everywhere!


 

zaterdag 27 augustus 2016

Now (27&28th of August) on show at DROOG Amsterdam: True Replicas

foto: Jantien Roozenburg

The two projects presented here examine how 3D prototyping and virtual techniques can be utilised to bring the stories of our heritage back into daily life.

3D prototyping are emerging technologies that offer new possibilities to render physical objects into digital data and vise versa, such as 3D-scanning and -printing. With Augmented Reality one can add virtual layers of contextual information on to an object, that can than be discovered using an application on a smartphone or tablet.  With Augmented Reality, objects are enriched and transformed into information carriers that can enrich the story of an object beyond the walls of a museum, archive or a library. Bringing the story of our heritage to our kitchen tables.

The underlying questions we seek to answer with these projects are; What is the meaning stored  in  all these historical objects? How does the story behind an object change our perception and appreciation of that object? What is the relevance of these objects in our increasingly digital and virtual society? How are these stories relevant to us today? Augmented Reality and 3D prototyping offer opportunities to investigate answers to these questions.



foto: Jantien Roozenburg

foto: Jantien Roozenburg

foto: Jantien Roozenburg

donderdag 11 augustus 2016

True Replicas @ DROOG


True Replicas

The two projects presented here examine how 3D prototyping and virtual techniques can be utilised to bring the stories of our heritage back into daily life.

3D prototyping are emerging technologies that offer new possibilities to render physical objects into digital data and vise versa, such as 3D-scanning and -printing. With Augmented Reality one can add virtual layers of contextual information on to an object, that can than be discovered using an application on a smartphone or tablet.  With Augmented Reality, objects are enriched and transformed into information carriers that can enrich the story of an object beyond the walls of a museum, archive or a library. Bringing the story of our heritage to our kitchen tables.

The underlying questions we seek to answer with these projects are; What is the meaning stored  in  all these historical objects? How does the story behind an object change our perception and appreciation of that object? What is the relevance of these objects in our increasingly digital and virtual society? How are these stories relevant to us today? Augmented Reality and 3D prototyping offer opportunities to investigate answers to these questions.





Smart Replicas

Smart Replicas is a research project pivoted on the junction of design, heritage and technology.  'Smart Replicas' are replicas of historical objects made useable again by combining 3D scanning and printing techniques with ‘traditional’ ceramic techniques. Smart Replicas are not just copies though. Smart refers to intelligent  enrichedment of objects with innovative virtual technologies that enable the object to carry information, so that outside of the museum they provide stories about its origin and history. And of course still serve their original intent.

In this show we present the initial prototype of a Smart Replica based on a seventeenth-century teacup from the collection of Museum Boijmans Van Beuningen.  This object was chosen not only for its great beauty but also because we have a wealth of contextual data about its history. The replica can be scanned with an iPad on the table to discover its history.  These stories are shown through the tablets camera in 3D animations placed around the object. One can navigate through the animations by moving the camera around the object and by tapping and swiping the timeline shown in the animation.

Smart Replicas is a project of Studio Maaike Roozenburg in collaboration with Museum Boijmans Van Beuningen, Delft Technical University and digital agency LikeFriends.
Smart Replicas is supported by  the Rijks Museum, Amsterdam Museum, Zeeuwsmuseum, Van Gogh Museum, Victoria & Albert Museum, Mareco Prototyping, InEdition|Grafic Design, Prins Bernard Cultuurfonds, Sunday Morning at EKWC, Atlas of Mutual Heritage and Stichting DOEN.





Exploring Replicas


With Exploring Replicas, we are researching these technologies, aiming to stretch the boundaries of traditional notions of the replica as an autonomous object based on a historical source. The goal of the project is not to make the most literal copy of the original, but to analyze, communicate and enhance those qualities of the historical source that are most meaningful for us now. These replicas allow us to articulate specific qualities of the historical source, and to isolate and communicate them through their reproduction.

Exploring Replicas is a project in collaboration with Monuments & Archaeology Department City of Amsterdam, Delft University of Technology and the Royal Academy of Art with the support of Amsterdam Fund for the Arts.

With special thanks to: Prof.dr. Jerzy Gawronski, Ron Tousain, Dr.Ir. Jouke Verlinden, Yvo van Os, Bart Vissers, Lotte de Reus, Kotryna Valečkaitė, Sander Pliakis, Irene Neels en Jorinde Smitser.

 

True Replicas @ DROOG: Invitation


We invite you to 'True Replicas' an exhibition of Studio Maaike Roozenburg at Hotel Droog at Saturday 27th and Sunday 28th of august. Here two projects will be presented pivoted on the junction of design, heritage and technology. Projects examining how 3D prototyping and virtual techniques can bring our heritage back to life. On display, to tray and to play with: Smart replica #A7663.To look at touch and examine: research and sketches of replicas of excavated historical objects from Amsterdam soil. 

Saturday Sunday 27,28th 2016
9am - 7pm
on display, to tray and to play with: Smart replica #A7663
to look at and examine: research and sketches of replicas of excavated historical objects from Amsterdam soil.

DROOG
Staalstraat 7B
1011 JJ Amsterdam
the Netherlands

rsvp and more information about the project:
maaike@maaikeroozenburg.nl
www.maaikeroozenburg.nl